The First Law Trilogy
What's it about
Ready to dive into a fantasy world where nobody is a hero? Discover a grim, witty, and brutally realistic take on epic fantasy, where flawed characters grapple with their own demons as much as they do with swords and sorcery. You have to be realistic about these things. This trilogy follows a cynical torturer, a narcissistic nobleman, and a barbarian out for revenge. Learn why their intertwining paths, driven by a manipulative ancient wizard, reveal the ugly, hilarious, and deeply human truth behind power, war, and the messy business of just trying to survive.
Meet the author
Joe Abercrombie is the New York Times bestselling author of The First Law trilogy, widely celebrated for pioneering the gritty, character-driven subgenre of grimdark fantasy. A former freelance film editor, Abercrombie's cinematic background informs his sharp dialogue and visceral, fast-paced action sequences. He began writing his debut, The Blade Itself, as a creative outlet between jobs, ultimately redefining modern fantasy with his morally complex characters and unflinching portrayal of a world where no one is truly a hero.
What's it about
Ready to dive into a fantasy world where nobody is a hero? Discover a grim, witty, and brutally realistic take on epic fantasy, where flawed characters grapple with their own demons as much as they do with swords and sorcery. You have to be realistic about these things. This trilogy follows a cynical torturer, a narcissistic nobleman, and a barbarian out for revenge. Learn why their intertwining paths, driven by a manipulative ancient wizard, reveal the ugly, hilarious, and deeply human truth behind power, war, and the messy business of just trying to survive.
Meet the author
Joe Abercrombie is the New York Times bestselling author of The First Law trilogy, widely celebrated for pioneering the gritty, character-driven subgenre of grimdark fantasy. A former freelance film editor, Abercrombie's cinematic background informs his sharp dialogue and visceral, fast-paced action sequences. He began writing his debut, The Blade Itself, as a creative outlet between jobs, ultimately redefining modern fantasy with his morally complex characters and unflinching portrayal of a world where no one is truly a hero.
The Script
You've reached the end of the free preview.